Photo: Catherine Pisaroni
Suzanne Dauman
Luca Pisaroni is one of
today’s most interesting opera singers. With his unique bass baritone voice and
stage presence, his Figaro or Leporello are already classics. One must have
seen him in recital, however, to fully appreciate his musicianship and
entertainer abilities. He was at the Teatro
della Pergola in Florence on November 11 for a recital with Italian and
American songs, accompanied by Christian Koch on the piano. Sadly, the house was only half full, a
shocking occurrence if one is used to the always-complete theaters of Germany
and France, but something utterly usual in this place, as we were assured more
than once. The program began with four songs by Bellini. If the very first one
sounded a tiny bit stiff and cool, in Bella Nice che d’amore the warm
tones came out and the evening was enchanted indeed. Our hearts were conquered
with the second part of the Italian program, four pieces by Rossini, especially
the wonderful Ultimo Ricordo, and they were broken with the Tosti
songs that concluded the first half of the recital. Luca Pisaroni’s deep
resounding warm voice, his perfect intonation and diction, revealed the
sorrowful beauty of these pieces, bringing to life the spirit of the poets and
the composer and their world and times. After the intermission,
the artists took us to the USA of Cole Porter and George Gershwin, and now the
casual elegance of dinner jacket and black shirt made sense, they fitted the
program like they fitted the singer, and everything was swing and sing and
heads were swaying along. Again, Pisaroni’s singing was pure delight, and
Christian Koch was as swinging a piano partner as he had been sweetly Italian
in the first part. The last part of the program was dedicated to Rodgers and
Hammerstein, and again, the artists’ masterful interpretation gave life and
meaning and warmth to every word. Three Cole-Porter-Encores later, the artists
finally left the stage and an enchanted public. Torna, caro ideal - dear
Luca, please come back soon!
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